By ANGELA DAWSON Front Row Features HOLLYWOOD—Todd Solondz’s films aren’t for everyone. A mixture of despair and humor, they often examine put-upon underdogs and seemingly normal people with deep flaws. His newest film, “Wiener-Dog,” may be one of his lighter satires—a story ostensibly about a da [...]
By JAMES DAWSON Front Row Features Film Critic Fans of the always audaciously uncommercial writer-director Todd Solondz, who is perhaps best known for his extremely dysfunctional 1990s family affairs “Welcome to the Dollhouse” and “Happiness,” needn’t worry th [...]